The Catalyst Showcases Our “Dead” Metal Scene

The Killing word is the word!
(L to R: Guitarist Matt Mortimer, vocalist Matt Frazier, bassist Michael Horyn and guitarist Maurice Marin)

Local publication The Catalyst dove into the bottom of the barrel and scraped up the last surviving local metal bands on Sept. 30 at The Merrow. Which we are sure they struggled because according to many, San Diego does not have a metal scene…. HAHAHA! *catches breath* Got ya! I bet you thought this was another immature and uber bias article huh? Who do you think we are?! Closes minded metal elitists?! Ugh Metal is most things but NOT closed minded staunches! We love rock/metal and most of its little sub genres especially if it comes out of our own backyard. So chill out, put your battle vest back on because you won’t need to defend Lady Local Metal’s honor this time.

This gig was a great way to enjoy our Saturday night, send off September AND slither back into concerts! That’s right, the broke Ugh Metal hooligans may have chilled and played a great game of catch-up in the beginning of Autumn, but this was a great start. Why? Because you know Ugh Metal has a super soft spot and crippling fetish for local and independent bands who don’t need no (wo)man!

Jenny Oh: What better way to add some spice to our last day of September than a show featuring an all local line up? September was a normal month, but I don’t know about you Klown but my concert bug was giving me the withdrawal shakes. My decrepit body was a little relieved…and yet it missed the abuse. *Ponders*

Chuggo the Klown: The September to remember tour went in full force with a dose of defiance… especially to an authoritarian figure.

J: That’s it Klown? All you have to give is a basic statement? No pizzazz nor inappropriate innuendos? Are you okay Klown? Nevermind, now that I think about it, basic sounds right up your alley. But you know who is not basic? Defy The Tyrants!

Defy The Tyrants are here to win us over one song at a time!
(L to R: Vocalist Chris Maddox, bassist Alberto Lafarga, drummer Brandon Lobb, and guitarist Anthony Esparza)

C: Says the bitch who chugs anything pumpkin spice in autumn. But yes the boys from Defy The Tyrants first did a bit of teasing. How inappropriate of them because the Klown knows a thing or five about teasing. Wasn’t all too bad the Klown supposes. Anyway, when they played they gave everyone presents a dose of groove metal!

J: Umm you mean deathcore Klown! Especially when they took us to the brutal “Battlefront.” If Chris Maddox’s interchanging growls aren’t deathcore-esque I don’t know what is.

Chris Maddox of Defy The Tyrants has a voice that comes in several sounds! Each sold separately.

C: The Klown supposes you may be onto something but still thinks you’re full of crap. The Klown was a bit taken aback with their performance. Maddox is quite the showman but guitarist Anthony Esparza took the embodiment of the Joker that was on his hoodie that night. His show-stealing moment spoke to the Klown.

J: Soooo you mean he terrorized the crowd and threatened to give everyone a smile to match his? I don’t remember any of that but I do remember Esparza and Maddox spread the love around the stage and refused to stay in one place! Especially when the band decided to dish out their rendition of Slipknot’s “(sic).” Though Slipknot has not given me any tingles in years, it was a nice surprise to hear this fresh and rougher cover. No clean vocals man and the kid living inside me was happy.

C: Esparza cracked jokes and Maddox gave a good show as a frontman. The other guitarist Alex Ultrilla, aside from chatting it up with the Klown prior to the show, would chime in with his riffs and keep calm. How Zen…?  The real treat was when Maddox and the band didn’t know what to play and improvised by performing the Klown’s favorite song of all time.

Alex Ultrilla of Defy The Tyrants knows we’re talkin’ about him.

J: Hmm I don’t recall Defy The Tyrants playing a metal version of Smash Mouth’s “All Star” but I do remember them playing their awesome cover of “Roots Bloody Roots.” Our eyes lit up as if it was Christmas morning. It was a treat especially for those that had never seen these guys before. You can check out the cover in their EP Wrest The Crown which is available on Spotify and you can get the EP here. Stay tuned we ain’t done talking about them!

C: On that note, let’s move on to the next band, sister with an L-shape hand on her forehead. Let’s talk about band from the summer.

J: Ooooh look at you belting out your fave song boi! But enough about you and more about The No Name Gang! We saw this quintet on July 7 and again this time around! These guys were different that Sept. night and were ready to play HARD ball. They were determined to make us remember their name, you are so out Eisenberg! TNNG are the new bad boys in town.

YOU WILL REMEMBER THEIR NAME!
(L to R: Bassist Zac Harriot, guitarist John Haskins, vocalist Justin Hendrick, drummer Ryan L’heureux and guitarist Dana Roselli)

C: Yes, indeed. They belted a solid performance and even took it a bit further with new material.

J: That’s right they unleashed “iFear” and it made us feel the opposite of fear! Justin Hendrick’s expressions continued to fuel the intensity of this song. Hell, on this set! Hendrick outdid himself this time and had a passionate presence that could be felt MILES away.

C: Yup… I guess you could say that our survival skills inflamed especially after they played “Survival Enflame.” This incidentally happens to be the new song from these guys. Well… semi-new as it was disclosed by Hendrick right before its performance.

The No Name Gang’s Justin Hendrick SLAYS!!

J: It wasn’t as fresh as “iFear” but they still delivered a crisp version of this song. The No Name Gang was dripping with energy and delivered a performance that left me speechless and felt like I was watching them for the first time again. Don’t you just love that feeling?! They were eager to please and they pleased us and then some! If you want more check out their EP No Man’s Land HERE!

C: Sounds very kinky, the Klown approves. Speaking of approval, the present crowd grew a tad more with First Impressions alumni, Nightshadow. We finally had the opportunity to see these beloved alumni since it couldn’t be done last time. Take that responsibilities and family!

J: You’re such a rebel Klown *rolls eyes.* This time around we grabbed responsibilities right in the pussy and it was also Saturday and we were ready to roll with some sweet ass power metal from these locals. Nightshadow tore a new one in the venue with “Ripper.”

First Impressions alumni Nightshadow perform their last show of the year!
(L to R: Guitarist Nick Harrington, Bassist Chris Bader and frontman Brian Dell)

C: The “Ripper” ripped open a new one and definitely had everyone who was familiar with them and casual fans surprised and enjoying this brand new gem. But it wasn’t just that that was premiering, Nightshadow took it a step further and premiered some more songs in between some of their mainstays.

J: They aimed to make their last performance of the year an unforgettable one and did so with “Blood Penance” and “Battle Cry.” Aside from this being Nightshadow’s last show of the year it was also their drummer Nick Mafi’s last show with them. Don’t cry! You can catch Mafi in Malison.

C: Lest the Klown forget the other new song “Strike Them Down” which is a song the Klown could use when playing his videya games or when he’s discussing why metal is better than most genre to common plebian. But their night didn’t end just there, they dedicated one to a mistress.

Nick Harrington and Danny Fang of Nightshadow having a little epic axe battle!

J: Yep that lucky lady had “Mistress of the Pit” sung to her. If you guys haven’t caught these guys live, you are in for a treat because it’s never a dull moment. Danny Fang and Nick Harrington’s respective solos will have you glued to those strings while bassist Chris Bader works his magic all over the stage. MAGIC like their self-titled EP which you can binge on here!

C: Brian Dell, the face of the band, was oozing with an infectious charisma that had The Merrow crowd eating off of the palm of his hand. But most importantly, that Rick and Morty shirt was dope

Brian Dell of Nightshadow was also upset about not getting his hands on that Szechuan McNugget sauce.

(that is what the kids are still saying, right?) it had Summer, Rick and Morty posing as Ghost. They may have lost a brother in drums that night, but the Klown knows that this group is going to be alright. In fact, keep an eye out for these guys they may just surprise you some more. If you have yet to see them, don’t wait too long because you never know what next year will bring and that’s my killing word! Now to move on to the next group! Who were they again?

J: The Killing Word! And they were the word! Is that still a hip thing to say? Anyway, much like Defy The Tyrants, The Killing Word took me back took me back to a time far, far away and back to my youth.

The Killing Word are here to induce major nostalgia with their melodic metal.

C: Jenny Oh no one wants to know or try and figure out your age. But it is agreed, they were a time capsule to the past when guys like Bullet For My Valentine, All That Remains and Killswitch Engage were at the height of their popularity.

J: OH MAN!! The Killing Word hit the nail right on the head with their cover of KSE’s “The End Of Heartache.” It almost felt like I was hearing Howard Jones instead of Matt Frazier! Frazier’s vocals were so damn spot on. It was the first time in years since I’ve heard this song ya know!

C: Same. In fact, the Klown enjoyed Frazier’s work as a showman. He enticed the crowd to sing along to this new classic, right before the song was about to begin. The best part was that once that demand was announced the opening riffs drew us to an infectious synchronized headbanging and singing

Matt Frazier of The Killing Word gets us with classics and his expressions.

J: Another thing I enjoyed from this quintet was their passionate delivery of each song especially with “Stigmata.” Guitarists Maurice Marin and Matt Mortimer’s respective breakdowns and solos were to die for! Hell, the whole band was killer! *winks* They are a great gateway band for potential new metalheads, and will give seasoned heathens a nice dose of nostalgia.

C: Not to mention a perfect environment and sounds to help ease the ladies and dudes into our genre. Let’s face it guys and girls, not all are ready to dive head in and take in the awesomeness that is metal. The Klown noticed and couldn’t help but raise his glass to these gents. Their brand of melodic metal resonated passionately with the whole band. They even solidified their headlining status with a symbolism regarded as kingly and majestic.

The Killing Word had THE final say this night!

J: They raised us high above Pride Rock for the entire animal kingdom to see! They closed this showcase with the empowering “Like A Lion” and it left us feeling mighty. The Killing Word is here to stay especially with their harmonic mainstay and presence. If our metal scene is still considered nonexistent after this night filled with great quality local bands, then we clearly don’t know what a “booming” scene is.

To the close minded haters that say San Diego doesn’t have a metal scene.
-Love Ugh Metal and Defy The Tyrants xoxo

Rammstein Was Hotter Than Vegas

Rammstein heat up the T-Mobile Arena in Sin City!
(Photo courtesy of Al Powers for T-Mobile Arena)

In life, there are a lot of firsts that you will never forget. The Klown knows he won’t. His most memorable first will always be the first time the Klown slapped on a pair of his buddy’s earbuds and listened to Rammstein’s 2001 masterpiece Mutter. The Klown would then obtain his own copy and listen to the album religiously. The Klown has never looked back since.

On July 1, the Klown and his aggravated sibling took off to Las Vegas’ T-Mobile Arena for the first time, in forever, to adorn ourselves with our lederhosen and yodel our hearts out in the 100-plus degree weather. Before the Klown proceeds, many thanks to everyone that kept up with us on this journey through our Facebook and to those that tuned into our Snapchat and Instagram live feeds, you know who you are.

The Klown would also like to thank Combichrist’s drummer Joe Letz for acknowledging us when we recognized him. Most importantly, to Ugh Metal’s new bestie, Corey Pino, and all the other kick ass Rammstein fans Ugh Metal had the pleasure of meeting that day. So without further ado…

Stone Sour inaugurated this show and it would be the first time the Klown has seen the original pet project of the prolific Corey Taylor. Before the Klown continues, a confession must be made because the Klown didn’t see the whole performance due to the fact that he was outside in the beating sun greeting some fans from his days at the Railing Bros. circus, meeting new peeps, getting merch and attempting to get through the door. It was chaotic but worth it. Although he did not see the beginning of the performance, the Klown was fortunate to hear “Made of Scars” as he finally made it through those doors.

Corey: Look! It’s Till Lindemann with his “Engel” wings!
(Photo courtesy of Al Powers for T-Mobile Arena)

The Klown was surprised that the one song he caught in its entirety was their 2006 hit “Through Glass.” Taylor’s voice resonated across the arena and tamed the crowd as he and lead guitarist, Christian Marducci, shared and complimented each other’s guitar riffs.

Taylor, not letting the musty air and Vegas heat stop him from being a showman, he hyped the crowd and invited them to partake in the performance especially during the chorus. Most importantly, Taylor got a huge roar from the crowd just by mentioning Rammstein and Korn performing after him. Stone Sour also played “Absolute Zero” and finished with confetti spewing “Fabuless.”

Corey Taylor? FabuLESS?! More like FabuYASSSS!
(Photo courtesy of Al Powers for T-Mobile Arena)

After Stone Sour bowed out gracefully, the most iconic nu metal band of all time took the stage. The sextet known as Korn took the stage and sent the Klown and the rest of the Korn faithful to a frenzy, heat be damned. In fact, the Klown’s inner pre teen lit up as bright as the stage the moment the ensemble took the stage and flowed like frontman Jonathan Davis’ kilt.

The group initiated their set with “Rotting in Vain” and followed with a classic “Falling Away From Me.” Of course, the very visible pit began to replicate Slayer’s infamous mosh pits once Korn’s Reginald “Fieldy” Arvizu’s bass and Brian “Head” Welch’s iconic D-chord guitar riffs dropped for “Here to Stay.”

Reginald “Fieldy” Arvizu and Brian “Head” Welch of Korn made the pit grow vicious with a few chords.
(Photo Courtesy of Al Powers for T-Mobile Arena)

Of course, it goes without saying how Davis can manage to impress his loyal fans one way or another. One really great example was when he busted out the bagpipes for the infamous beginning to “Shoots and Ladders.” But a real surprise was how Davis managed to get all of the T-Mobile Arena singing when he incorporated Queen’s “We Will Rock You” during the brief pause that the song has.

The band took it back to their 1994 self-titled debut by performing “Blind.” Lastly, Korn closed with the hit that set the height of their popularity and took the Klown on a nostalgic trip to the first time he heard “Freak on a Leash” in 1998. Aside from the Klown having a borderline heat stroke, he joined the rest of the plebes, vocally and physically. It was a great set and the Klown highly recommends you go to a Korn concert should the opportunity present itself.

Jonathan Davis and the rest of Korn made us all into a “Freak On A Leash.”
(Photo courtesy of Al Powers for T-Mobile Arena)

Even though the Las Vegas heat was already at an upper 90’s, borderline 100 degrees Fahrenheit, the legendary German sextet brought out their stockade to perform their infamous fire laden extravaganza and over-the-top theatrical antics. Yes, the Klown was overheated and sunburned from his left side but that wasn’t enough to stop the Klown from enjoying his first ever Rammstein show in the US of A… especially not this time!

The living legends shrouded the stage with an oversized banner that had a singular pixelated 8 that pulsated to the sounds of an electrocardiogram moments before the commencement of their new single “Rammvier (A.K.A. Ramm4).” “Rammvier” began as the banner dropped and to the beats of drummer Christoph “Doom” Schneider which would then have strobe lights and immediately reveal keyboardist/synthesizer/indestructible master of the treadmill Christian “Flake” Lorenz wearing a jumpsuit.

Soon after, guitarists Richard Zven Kruspe and Paul Landers would descend from above, take front-and-center, split and take each corner of the stage. After some pyrotechnics,  bassist Oliver “Ollie” Reidel was revealed and the band’s physical introduction would conclude with the prolific frontman Till Lindemann tap dancing his way to the center stage while dressed in a white leather trench coat and top hat.

Till Lindemann dresses sharp for Rammstein’s only West Coast show.
(Photo courtesy of Al Powers for T-Mobile Arena)

As Lindemann centered himself, he took off his hat and flung it for the pyro to set off and began singing his legendary deep vocals. Lindemann then rebranded himself visually by donning an impermeable for Rosenrot’s “Zerstören” after “Reise, Reise” and “Hallelujah.” Although, whether it was intentional or not, Lindemann briefly waddled on stage for the performance of  “Zerstören” which had a jazz intermittency during the end before Lindemann took off his costume to reveal a vest that shot pyrotechnics.

“Feuer Frei” filled the T-Mobile Arena with a huge roar and a pit, and was just like the first time American Rammstein fans felt when it was introduced through the Vin Diesel movie xXx. Rammstein wore their infamous dragon masks while fire shot out from the scaffolds, and had fire cannons on both sides of the stage. The twist with this hit was that, briefly, the song became the Junkie XL remix from their Made in Germany 1995-2011 compilation album.

Richard Kruspe of Rammstein mesmerizes us with his sick ass riffs!
(Photo courtesy of Al Powers for T-Mobile Arena)

Rammstein also busted out an old favorite and a classic cover from the legendary punk mistress Nina Hagen “Seeman” which featured Ollie sitting atop of a seated platform strumming an acoustic guitar for the opening sequence. Of course, “Ich Tu Dir Weh” would feel rather incomplete without Lindemann abusing Flake… tongue-in-cheek implied.

The moment was rather comedic as Lindemann would “beat” Flake on all fours and toss him in a bathtub in which Lindemann would be elevated by a platform to pour a bucket full of sparks into the tub which would then be engulfed in pyrotechnics. The latter produced Flake climbing out of the tub and donning a sparkling, sequin suit and dusting himself off before dancing his way back to his keyboard and treadmill.

Christian “Flake” Lorenz of Rammstein is der meister of treadmills and keyboards.
(Photo courtesy of Al Powers for T-Mobile Arena)

For “Du Richt So Gut,” Kruspe and Landers both donned flare-like pyrotechnics for their guitars and lit up the stage and Kruspe’s solo, literally. The real treat came after when Rammstein performed their rendition of Depeche Mode’s “Stripped,” which the Klown enjoys and feels that it’s an underrated cover song. Even though the norm for most bands is to have an encore, the presence and impact that these German gents leave are limitless. The crowd was clamoring for more and Rammstein’s encore seemed rather surreal and made one feel as if they were seeing them for the first time again.

The encore portion began with Mutter’s “Sonne.” In honor of America’s birthday, because when in Rome, “Amerika” was performed which would shower the pit with red, white and blue confetti with a confetti cannon. The night, woefully, concluded with Lindemann donning the famous steel wings and being suspended thereafter for the performance of “Engel.” The wings would shoot flames from the tips which in the eyes of an American Rammstein fan, the sight of Rammstein playing on American soil is like the equivalent to that of a Bigfoot sighting.

Rammstein forfeit their hide and seek championship in the USA…Bigfoot is STILL in the lead.
(Photo courtesy of Al Powers for T-Mobile Arena)

Although many photographic and video evidence and third person accounts are there, you’ll want to see it to believe it. The Klown would like to say that even though it was one of the greatest shows he’s seen, he still feels taken aback by it and still feels like he’s on cloud nine. If these six superstars ever return back to American soil and you are a big fan, the Klown recommends it. You will not be disappointed and, guaranteed, it will be the first that you’ll never forget.

Auf Weidersehn Rammstein!
(Photo courtesy of Al Powers for T-Mobile Arena)

The Trials of June 9

Foscor Will Enlighten You with Their Fifth

The Barcelonan trio known as Foscor has returned after three years with their latest album Les Irreal Vision through Season of Mist. For those unfamiliar with these Catalonian’s work, they present you a dose of progressive/avant garde black metal like Oathbreaker. “Instants” and “Altars”strongly supports the Klown’s description. The songs were beautifully sung by frontman/ bassist Fiar, the fast drum beat from studio drummer J.F. adds some intensity to really compliment the speed this group sought out. The Klown understood why this song was chosen to carry this album’s banner “Ciutat Tràgica”. The song was much like the previous song in terms of intensity but ambient. Fiar adds a bit of autotune to his vocals and guitarist/pianist Albert “A.M.” Martí adds some piano to beautifully cap off the song while adding meaning and intimacy.

“Encenalls de Mort” really has guitarists Falke and A.M. shine, especially with the ambient but soothing guitar solos. The group also shows some signs of Opeth with “Espectre Al Cau” by giving you fast paced prog but, in this case, Fiar features some growls in between to add some fierceness to the mix and some piano and accordion effects to give a calming end. “De Marges I Matinades” was rather intense and featured heavy cymbal clashing and Fiar flaunting some howling vocals in lieu of his clean ones. The album closes with “Les Irreal Vision” which is an appropriate ending for this ambient sounding album. It was soothing not just because of  the guitars’ atmospheric riffs but it also featured a lot less drumming. The Klown highly recommends this album for fans of Oathbreaker, Opeth and Dark Tranquility. You can also check out the album in the band’s bandcamp and judge for yourself.

5 out of 6, The Darkness Seems a bit Bright

“Come into the Foggy Darkness” Foscor said “We got Metal!”

Dawn Of Ashes Emerge with their Seventh

The dark quintet known as Dawn Of Ashes have risen like a phoenix and reemerge with their brand new release Daemonolatry Gnosis through Metropolis Records. They release their fury with “Gods of Antinomian Path” and will leave you with a lasting impression of things to come in the album. The song is a great starter especially if you really love the symphonic and dramatic overtones of Dimmu Borgir.  “Smash Thy Enemies” features the same dramatic effect the Klown mentions but incorporate some Industrial which happens to be their primary genre. The Klown, however, loved “Guardians” because the track sounded like if Septicflesh and Dimmu Borgir were planning to have a baby and Fleshgod Apocalypse was chosen to be the surrogate mother of this song.

“The Ritual” was not only a great introductory track but the overture with howling wind sound effects set the tone for an epic transition to “Augoeides.” “Augieides” was not only epic but it had major Industrial overtones combined with melodic black metal sounds making it a very strong track and reminded the Klown of Dark Fortress. “Sermon of the Horned God” features the band’s symphonic take on the album which had the Klown thinking that he may have listened to a lost Septicflesh track. The song had frontman/keyboardist Kristof Bathory’s powerful vocals resemble Septicflesh’s Spirou Antonious’s, and had a great melodic guitar solo from Ken Raum and features some electronic effects towards the end  efficiently closing the song.  “Magick for the New Aeon” not only was it well rounded with some Industrial and symphonic influences, it also featured Cradle of Filth’s keyboardist/vocalist Lindsay Schoolcraft adding a woman’s touch. This was a great album to hear and pulled no punches. If you don’t believe the Klown, you can check out his exaggeration on the label’s bandcamp and hear it for yourselves.

6 out of 6, the Black Metal Phoenix has Soared Above

Reborn from the Ashes with Great Power

Rancid Releases a Fresh New Album

The legendary quartet formerly known as Operation Ivy has returned with their ninth studio album Trouble Maker through Hellcat/Epitaph Records. Much like most Rancid fans, the Klown too has been waiting for a new one since their 2014 release of Honor Is All We Know. The album starts fast and strong with the introductory track “Track Fast” and immediately transition with “Ghost of a Chance” which also kept up with the speed that “Track Fast” had started. The same can be said about “An Intimate Close Up of a Street Punk Trouble Maker.” “Telegraph Avenue” was a great song because it was melodic and complimented  legendary guitarist/vocalist Lars Friederickson and bassist/vocalist Matt Freeman’s chorus. Frontman/guitarist Tim Armstrong’s famous vocals kept the American punk spirit alive through a first person anecdote of a teenager going through changes of self and environmental due to political unrest.

“Where I’m Going” feature the Rancid signature mash of ska and punk. “Buddy” seemed like a memoriam with a message of not taking life for granted because of the short time we have. “Farewell Lola Blue” pays homage to WWII pilots, who went off to war young and reference the pin-up girl painted on the side of the planes. “Bovver Rock and Roll” gives a quick history lesson of a moment that is nearly unknown to most people: US invasion and bombings of Cambodia during the Vietnam War. While “Make It Out Alive” revisits the Civil War and follows a veteran who fought in the Battle of the Wilderness, lost his leg, saw hell, and paid his respect to a late president Lincoln. The track features Friederickson, Freeman and Armstrong sharing vocal duties. “Beauty of the Pool Hall” features some rockabilly influence and it’s a love song for the unconventional since the setting and the girl aren’t traditional.

If you happen to get your hands on the deluxe edition of the album the band treats you to two extra songs “We Arrived On Time” and “Go On Rise Up.” The Klown enjoyed this album but not as much as the diehard fans and punkers. Don’t get the Klown wrong, if you are a huge punker or love Rancid this is definitely a must-have but if you happened to be a casual listener still stuck on “Time Bomb” and “Ruby Soho” you may not enjoy it as much. You can get this album here.

5 out of 6, You’ll Still Wanna Do Bad Things With It 

Punk has never been seen so fresh

Suffocation Bring their Eighth Into the Light

One of the godfathers of technical death metal are back with a vengeance after a four year hiatus . The quintet known as Suffocation have released …Of the Dark Light through Nuclear Blast Records and is ready to destroy your eardrums. The New Yorkers start really strong with “Clarity Through Deprivation” and features Frank Mullen’s signature growling vocals and a really cool guitar solo from Terrance Hobbs towards the end. “The Warmth Within the Dark,” “Some Things Should Be Left Alone” and “Caught Between Two Worlds” has the band featuring some brutal death metal with Mullen’s vocals shifting gears to more guttural, growling vocals and speeds up the tracks towards the end after a brief breakdown.

“Some Things…” also features bassist Derek Boyer setting the foundation for the song and strumming that bass like legendary bassists Alex Webster and Ross Dolan. “Return to the Abyss,” “The Violation” and “… Of the Dark Light” has the band getting technical with and features guitarist Charlie Errigo complementing Hobb’s solos making the songs strong in terms of foundation. Lastly, “Epitaph of the Credulous” had the best of both the brutal and technical style of death metal and featured a really awesome solo from Hobb and some superb heavy bass slapping from Bower. It is also worth noting that the song features the vocalist of The Merciless Concept, Kevin Muller as lending his screams as backup vocals. This was a pretty awesome comeback from the quintet and the Klown can’t wait to see these guys when they come to town with Morbid Angel. The Klown highly recommends this album for the dedicated death metal aficionado and fans of Suffocation. You can get your hands on this badass return here.

6 out of 6, Breathing Easy because the Wait Is Over

Fans can now breathe again because Suffocation is back

Mictlantecuhtli Appeases The Masses

Mictlantecuhtli resurrecting the spirits of both the dead and the living.

April 1 is the American pranking day known as April Fools. Of course, unlike the days when the Klown was growing up, the day of fooling has toned down and is more innocent by comparison like local radio station 91X posting on their Facebook about a Rage Against The Machine reunion tour in 2018. One thing that wasn’t a joke was the Southern Californian based black metal euphoria that was held at The Merrow. This black mass featured bands that were both local and North of the 5 freeway.

The night commenced with the local one man band that has made a previous appearance in Ugh Metal’s domain, Morphesia. Unlike the first time Ugh Metal lent their ears to this man, the artist known as Zombie Thirteen kept it… simple. How? Thirteen simply got on stage with no corpsepaint or the “usual” black metal regalia and performed. It was almost reminiscent to the time KISS ditched their outfits and signature facepaint or, for recent memories, Corey Taylor when he’s doing Stone Sour instead of Slipknot. In lieu of Satan, Thirteen treated to us some Egyptology by invoking the king and god, “Ramses.” It would be one of the few performances that had Thirteen’s black metal vocals. In an act of charity as well Thirteen’s new straightforward approach, he gave away merch such as CDs he’s released, stickers, buttons and his stage banners with the pentagram.

Zombie Thirteen of Morphesia trades in the corpse paint and black metal regalia for a fresh face and Ancient Egyptian gods.

After the royal introduction, Thirteen played “Osiris” which would be one of several instrumental songs. The Klown will admit that it was nice to hear the strictly instrumental songs because it felt like we had a glimpse in the mind of an artist when they are brainstorming or getting ready for a recording by jamming out. The night was closed with “Bast,” and though the night wasn’t filled with “traditional” black metal tunes, the night seemed rather intimate especially for a kick off. The Klown and Ugh Metal will stay tuned for what Morphesia will bring to the table next.

After the one man band cleared the stage, the quintet from Inland Empire,CA known as Sicarius took the stage and unleashed some black metal fury. The Klown is not exaggerating but if you haven’t seen these guys live, words alone cannot describe what a treat these guys were. The quintet opened the night with “Apocrypha” and followed with “Shadowalker” from their EP Scorch The Earth. When the Klown saw frontman Kurt Karcass, he believed that he may have summoned his inner Per “Dead” Ohlin (of Mayhem fame) for his performances.

Speaking of Mayhem, the quintet treated us to a cover of Mayhem’s “Funeral Fog” from the infamous De Mysteriis Dom Sathanas album, making this the second time this year the Klown has heard this song live. Karcass not only had a presence but also did something not too common with front men; he joined fans in the pit. Karcass paced within the crowd like a tiger stalking its prey, and circled around two dudes with punk band shirts and people lacking metal attire.

Kurt Karcass and Merihim of Sicarius invoking the spirit of old school Norwegian black metal.

After the vocalist spared his prey, he hopped back on stage to unleash his strong screaming vocals which were strengthened by guitarists Merihim and Argyris’ growling backup vocals. Lastly, before the Klown moves on to the next set of performers, if you missed these guys or don’t take the Klown’s words seriously, you’re in luck! You’ll get a chance at redemption on the 26^th of May when they join the legendary Taake at the Brick!

After Sicarius cleared the stage after a jaw dropping performance, the local blackened death metal band known as Greenskull kept the night going. The residential quartet took us to another worldly realm with their performance and manifestation. Greenskull commenced with an appetite for that otherworldly realm by satiating us and themselves with “Worldeater.” Front man/ lead guitarist Travis Whiting had a towering aura shining amidst the fog fit for a superior. Bassist/ backing vocalist James Jungman and rhythm guitarist Zachary Simsay also flashed their auras to fans as the fog rolled in and covered the stage.

Vocalist/lead guitarist Travis Whiting and bassist James Jungman of Greenskull shine brighter than any crystal skull.

The group indulged us with “Ain Soph” and took it old school with “Primeval.” Greenskull would have felt rather negligent if they wouldn’t have performed the fan favorite “A Skull Shining in Darkness.” This song, which the Klown can say was blacker than death in terms of metal, featured Whiting’s mastery of the stage and talents. Not necessarily leaving Jungman completely behind, the Klown can say that he was energetic and gave a feel of a lieutenant ready to strike on command.

Local black metal trio called Necrochamber flung back the otherworldly aura that was left behind to a time when Norway began sprouting legends. Something worth noting is that Necrochamber has been around since 1998, the Klown was looking forward to see what the seasoned black metallers brought to the table. The group initiated their set with “A Ceremony for the Dead,” and immediately followed up their ritual with some black metal fit for an overlord in the form of “Lord of the Deceased.” Although the front man known as Nocturnal Overlord barely moved, the Klown shall note that what he lacked in motion was made up with his authoritarian charisma and music.

Local black metallers Necrochamber show the masses Norway ain’t the only ones that can black metal, bruh!
( L to R: Bassist Titan, vocalist/guitarist Nocturnal Overlord and drummer Tyson Wotan)

Necrochamber’s live sounds were nearly identical to Darkthrone and not just instrumentally. There was a time when the Klown thought that he was listening to the distinct vocals of Fenriz or Ted “Nocturno” Skjellum. The band kept the momentum going and treated us with “Necrochamber” and finished strongly with “The Fleshripper.” If you really fancy yourself kvlt, the Klown recommends that you keep your eyes peeled for these guys because they will indulge your black metal craving.

Although Necrochamber took us on a black metal ride to die for, the Los Angelino headliners went in for the kill. The five lords of the underworld known as Mictlantecuhtli (which is named after the Aztec manifestation of death) have been reigning the underground scene since 1998. As soon as the majority of the group took the stage, front man Cuauhtemoc would then manifest like a warrior’s spirit seeking retribution. Cuauhtemoc’s appearance seemed like that of a resurrected Aztec general that returned from Mictlan (the Aztec underworld) to prepare a rite fit for a jaguar warrior.

Cuauhtemoc of Mictlantecuhtli dons his armor.

Part of the ritualistic motif can be attributed to the clay chalice filled with smoke incense the  vocalist took out in the middle of the performance. Throughout the night, there was a blend of metal and folkloric style influences in their songs and were accompanied with Cuauhtemoc’s powerful screaming vocals. Going back to the Klown’s allegory, the group treated us to the black metal narrative “Night of Sorrow” from the Warrior of the Black Sun album.

Staying true to the Aztec roots, the group invoked the god of the sun, Tonatiuh, with “Heart of the Sun” from their debut album, Pillars of Silence and brought a bit of sunshine to the night. Mictlantecuhtli continued to celebrate the Aztec warrior culture by playing “One Last Battle” and as the group left, everyone in attendance fevered like the plebes after witnessing a sacrifice for the gods.

Behold the clay chalice of the underworld!

The collective returned to soothe the masses with their encore performance of “Broken Shields.” The Klown and everyone who was at the show were spoiled rotten and overindulged and the Klown really hopes to see these gents again in our humble abode.

Sonata Arctica Dazzled At Brick By Brick

 

Vocalist of Sonata Arctica, Tony Kakko and bassist Pasi Kauppinen take the crowd of wintery journey.

Ugh Metal fell in to the rabbit hole and made it within The Ninth Hour to Brick By Brick on Dec.3 and experienced the magic of Sonata Arctica. Though the familiar concrete floor of the Brick wasn’t covered in snow nor had any fuzzy rabbits or psychedelic stoner worms, there was plenty of overwhelming wonder within the venue to see the renowned Finnish power metal band.

But before we began our never-ending story, local Christian hard rockers, AndEver, fueled the wide-eyed mood in this metal tea party with “Illuminate.” Before you say anything, if the “C” word mentioned in the first sentence scares you, relax! Regardless of what your personal beliefs are, these guys will NOT make you go through a prayer circle but rather the circle pit.

Vocalist Lindsay Hail and guitarist Steven Almos of Andever made us believe.

PLUS, Lindsay Hail’s powerful anguish could rattle the most stone-cold individual especially when she belted out “Dark End Heart.” AndEver may only currently have one album (Pathways) under their belts but there’s no stopping these guys from snowballing, especially with their soulful and passionate performance and the fearless intimacy Hail unleashed on the crowd.

After AndEver made us believe, the local Vikings known as Helsott settled on to the stage. Something worth mentioning, the Klowntastic drunkard has had the privilege of witnessing Helsott’s conquest three times this year, I, however, popped my Helsott cherry that night… My goodness, why did I wait so long to see these dudes in action?

The quartet welcomed December the right way with the epically festive “The Tavern’s Tale,” and had us drunkenly stumbling in to the battlefield with “Vandals Divide.” These So-Cal norsemen were unstoppable in their short set and brought a tremendous energy.

Skol! Heres to you, Helsott!
(L to R: Vocalist Eric Dow and lead guitarist David Walston)

Beneath the fierce exterior, however, frontman Eric Dow fearlessly got personal and shared with the audience the health issues his infant daughter had been battling since her birth three weeks prior to the show. Like a true professional artist, Dow switched back to performer mode and passionately dedicated their rendition of “Unconscious Power” by local 60’s legends Iron Butterfly to his daughter.

Before Helsott continued to lift the spirits or resurrect the pit and the hair windmills, Dow had the crowd shout back “Helsott!” at his command. After chanting the band’s name three times, instead of invoking a Beetlejuice in Viking attire, it conjured a heartfelt message from the vocalist where he proclaimed “You are Helsott!” while he scanned the eager and glistening faces of their fans. After this brutal demonstration of gratitude the quintet began playing “Helsott” and ended the set with “Astralive.” Skol to you, fellas!

We went from indulging in Viking pagan magick, to Finnish melodic death metal from Omnium Gatherum. This sextet was full of surprises and was not what one would expect at all and I don’t mean that in a bad way. With a name like theirs, I expected a super power metal and uber melodic sound but these guys add an edge in to the mix… and a super fun vocalist that certainly knows how to engage a crowd.

Jukka Pelkonen of Omnium Gatherum GROWLED that December night while Markus Vanhala mesmerized us with his riffs.

Omnium Gatherum appropriately started with “The Pit” and reeled you in like a group of wicked sirens with their slow building and serene melodies like “The Unknowing” which was only fueled with enchantment by Markus Vanhala’s playful and wide eyed riffs.

The Finnish melodic death metallers took us on several unknown journeys and dare I say to new “Frontiers” to name a few, lest we forget the spirited and cheerful frontman, Jukka Pelkonen, grinning and growling at the incredible reception. Alas, their time to depart came by too fast and closed the show with “New World Shadows.”

Because the December magick had to be kept alive and well, we switched back to our Viking armor and rose our drinking horns to welcome the new frontwoman of Leaves’ Eyes, Elina Siirala. Leaves’ Eyes prepared us for battle with “Halvdan the Black,” nursed our battle scars with “My Destiny” and made us get stupidly drunk with “Swords In Rock.”

Siirala showcased her soprano chops adding a stronger and dramatic element which was enhanced with Alexander Krull’s thick backing vocals. Though Liv Kristine’s distinguished silky voice is now gone from Leaves’ Eyes, Siirala’s reinvention of the band is an exciting journey for members and fans alike.

We raised our swords and drinking horns to Leaves Eyes!
(L to R: frontwoman Elina Siirala, and backing vocalist Alexander Krull)

Krull dawned a body armor and sword in hand and riled the crowd with the infectious battle song “Edge of Steel” before Siirala made us feel the desperate melancholy of “Take the Devil In Me.” Through the tears and emotional confusion, everyone managed to pull through and marched forth towards the end with “Fires In The North” and “Blazing Waters.”

We couldn’t depart to Valhalla just yet! We had a date with one more adventure where the sun don’t really shine, and for once I’m not talking about your neighborhood smut shop. In this night where the Finnish dominated, it was time for Sonata Arctica.

These guys not only shined because of  Tony Kakko’s fancy light up mic stand or his Cheshire cat grin, no, these guys brought their A-game creating an unforgettable show for both devoted fans and those that are still fairly new their material.

Tony Kakko of Sonata Arctica shows us his game face.

Sonata Arctica initiated our quest by reminding us of our roots with  “Closer To An Animal” and the uplifting anthem “Life” off of their latest album The Ninth Hour to name a few. These Finnish power metallers blasted us back to the past with the ballad “Tallulah,” “Fullmoon,” and ended the night with “Don’t Say A Word” and sneaked in a shot of their famous closer of their “Vodka Song.” “Vodka! We need some vodka,” ’cause we had to cope with the reality that our adventure had reached its end. Cheers to you, Sonata Arctica!     

Dark Tranquility Kick Off Our December Nights

Dark Tranquility help us kick off December the right way!

It was a cold Thursday night and it was one night shy of the annual December Nights (Dec.1). Despite that, Ugh Metal got their December Nights celebration started by going to Brick by Brick for a night of metal from both local bands and bands from afar. Unlike most shows we’ve attended, this one treated us to an array of subgenres and, to lesser extent, some different cultures.

Although the Klown was looking forward to DiZaster Inc to sing along to “She’s Not Too Young For Me,” he still wasn’t disappointed. The Klown will tell you about how their substitutes opened, took charge and turned the stage into a battlefield. If you haven’t caught on to the analogy, the Klown is talking about the local boys known as Warpath. This quintet comprised of member from the Santa Ysabel, Barona, and La Jolla Indian Reservations were true to their name and set out on a warpath of the trash and metalcore variety.

Local warrior badasses Warpath crushing their opening.
(L to R: Guitarist/backup vocalist Chance Perez, frontman Johnny Osuna, bassist Jason Wolfe and guitarist Harrison Whitecloud)

It was more evident when Johnny Osuna’s vocals were reminiscent to that of Mark Owen’s vocals of the defunct band Calico System, accompanied with guitarists Harrison Whitecloud and Chance Perez thrash riffs. Shit got more awesome when the band treated us with “Unbroken,” a song in which Perez also lends his vocals during the performance to make the song a bit harmonic. This band of OG Americans finished their time with the energetic song “Leeches” and left the very sizeable reception wanting more.

After being caught in THE Warpath, death tends to linger… In this case, we got some local death metal in the form of Lurid Memory. It’s beyond the Klown how he’s eluded these gents for so long but not this time! And they didn’t hold back any punches, from beginning to end pure mayhem. These local badasses kicked off their set with the song, very synonymous with local bands on the rise, “Sacrifice.”

Lurid Memory stir shit up and captivate The Klown/audiences
(L to R: Vocalist/guitarist Oscar Padilla and guitarist Glen Davis)

The Klown will not beat around the bush, that song was fucking awesome and intense. It even had a pit started by the time the first chords were struck. The real treat from these guys, unfortunately, happened at the end of their performance. The Klown says “unfortunately” because their set was cut short but front man/guitarist, Oscar Padilla, did well to invoke and honor his inner Chuck Schuldiner when they covered Death’s “Flattening of Emotions.”

After Lurid Memory cleared the stage, we went to space thanks to Starkill! The quartet from Chicago treated us to melodic death metal. The band treated us to material from their latest release, Shadow Sleep such as “Burn Your World.” The exchanges between Patrick Jameson’s vocals and riffs and rhythm guitarist and backing vocalist Tony Keathley, brought out the melody in the death metal brand.

Starkill takes us to Mars, dude…
(Lto R: Vocalist/guitarist Parker Jameson, bassist Shaun Andruchuk and guitarist/backup vocalist Tony Keathley)

During the performance, bassist Shaun Andruchuk proved to be the energetic member of the band by not only exchanging riffs with the guitarists but hyped the crowd. Starkill also took us back to their previous album, Virus of the Mind, by performing “Before Hope Fades” and closed with “Cloudless.”

After Starkill, we were treated to some Speed metal of the Swedish variety called Enforcer. If you are a real speed freak of the metal variety, y’all are definitely in for a real treat. This Swedish quartet kicked off their performance with “Destroyer.” For those who have never seen Enforcer live, they don’t halt too much but when they do, frontman/guitarist Olof Wikstrand tries to make sure that you kept up with them. These Speed demons emphasize their banner and go through performances as such.

Vocalist/guitarist of Enforcer, Olof Wikstrand, showing off his riffs and all that leather while bassist Tobias Lindkvist let out a battle cry in approval.

The treat of the night was when Wikstrand and lead guitarist Joseph Tholl started shredding the opening riffs and traded vocal duties for their cover performance of Venom’s “Countess Bathory.” Right before thanking us to close out their performance, Enforcer left the crowd in frenzy and departed with “Midnight Vice.”

After the first batch of Swedes departed the stage, sounds of Finnish Doom Metal took over the stage. Unlike the typical doom metal bands, Swallow The Sun are of the melodic variety that is really more gothic than doom. Nevertheless, we basked in the Sun and saw  keyboardist Aleksi Munter before he departed from the band days after this performance.

The band started their set with “10 Silver Bullets.” That opening track alone was gloomy and melodic AF. Unlike the studio album in which it sounds like Septic Flesh’s Spiros Antoniou harsh vocals, Miko Kotamäki’s vocals are smoother by comparison. Not a bad thing, it’s just something the Klown felt like sharing.

We all devoured Swallow The Sun.
(L to R: Keyboardist Aleksi Munter, vocalist Mikko Kotamäki, bassist Matti Honkonen and guitarist Juha Raivio)

It is rather impressive to see Kotamäki’s vocals range from octave or tone to another almost instantly. We were also treated to “Silhouettes” and “New Moon” which were melodic and nearly resembled Moonspell. The group finished their set with “Descending Winters” which sounded more like an Amon Amarth song than a doom metal song. It was a great way to leave everyone clamoring for some more.

As the Finnish cleared, another group of Swedes tagged in and were poised for the kill. The Swedes the Klown speaks of are one of the pioneers of the Gothenburg metal scene, Dark Tranquility. These gents prove why they are THE Gothenburg powerhouse and continued to do so, whether it is melodic or actual death metal. They opened with “Force of Hand” to promote the current album, Atoma, as well “Atoma” and “Forward Momentum” to name a few from the new album.

Dark Tranquility shine in their San Diego comeback.

In one of a few times the band stopped, frontman Mikael Stanne was taken aback for a moment on the superb reception they had received. During that moment, Stanne was slightly speechless and apologetically stated how Dark Tranquility hadn’t been to our humble abode in over a decade and that they loved San Diego. Stanne ousted lead guitarist Niklas Sundin as being a huge San Diego lover, Sundin grimaced at the fact.

After that was out of the way, the group treated us to some old favorites such as “Terminus (Where Death is Most Alive)” and “Monochromatic Stains.” Before we knew it, the band closed out “Misery’s Crown.” It was great show to start our winter. But most importantly, Stanne and company proved to be class acts from beginning to end. We hope to see these fine gents again, soon!

The Trials of December 2

Syk Take Away the “I” in Waiting

So… the Klown is not expecting you to know who Syk is from the top of your head. Allow the Klown to give you a very brief description, imagine if Meshuggah was from Italy and was fronted by a female vocalist. This Italian quartet has released their sophomore album I-Optikon which is not only produced by Phil Anselmo but it’s also under his label Housecore Records. The Klown took a liking to the track “Disintegrate” because Dailia Kayros’ vocals sound ghostly and melodic AF with the Messhugah like rhythm. Just hearing “Disintegrate” gave this hot sack of drunkenness some chills… in a good way. “Mud” sounded like a cross between Meshuggah and the Dillinger Escape Plan while “Absence” sounded more like DEP if they had a feminine touch. This album was pretty good and well produced and the Klown highly recommends it to the heavy prog and mathcore enthusiasts.

5 out of 6, This album was Syk!

The SYK cover of SYK

 

Bethlehem Need No Title for their Eighth

The kings of Dark Metal are back with a vengeance! Right from the start, this self titled album opening track “Fickselbomber Panzerplause” has that burst of energy to get anyone to start a pit and keep it going. “Kalt’ Ritt in Leicht Faltiger Leere” is a great track that was a bit reminiscent of a German Cradle of Filth track whereas “Die Dunkelheit Darbt” sounded like an incensed, no nonsense version of Hanzel Und Gretyl. Speaking of which, Hanzel Und Gretyl fans will have a sense of nostalgia with the track “Gängel Gängel Gang” which sounds like an old school song from the industrial duo’s Über Alles and Scheissmessiah! albums. Aside from that description, die hard Bethlehem fans will rejoice not just because it’s a new release but mostly because the band revisits their past for this album. The majority of this record takes you back to the days of the Dark Metal, Dictius Te Nacare and Schatten aus der Alexander Welt. If you’re feeling kvlt and are looking for something different or trying to expand your musical horizon, this album is definitely recommended.

6 out of 6, The Anti-Christ Approves

Bethlehem were definitely dressed for casual Friday on their self titled album cover.

 

Ranger Is All For Speed & Violence

The Finnish speed metal quartet are back with Speed & Violence a little over a year and half later. What else can the Klown say if you haven’t heard speed metal? The Klown could state the obvious; it has you feeling a rush from beginning to end. The difference with this album, however, is that it pays homage to the 80’s, so don’t be alarmed if you thought you unearthed an undiscovered talent from the 80’s while you were rummaging through your Uncle Pete’s attic. The track from the namesake album, “Speed & Violence,” sets up the feel of this album and of all the sounds to come. “Demon Wind” features more of Miko Sipilä’s up-tempo, fast paced drumming. The current single “Lethal Force” is not only awesome but it reminds you what true Speed metal is all about. “Last Breath” is not only the most energetic, but like true performer’s, it was saved for last.

5 out 6, These Finnish will teach you all about speed and violence

Shut off that New Wave and really remember the 80’s with Ranger’s “Speed & Violence”

 

Trivium Blasts Us To The Past

Unless you’ve been living under a rock, Trivium has released the two disk set titled Ab Intio which would be the second reissue of their debut album Ember to Inferno. The interesting fact about this reissue, aside from rehearing a 17-year-old Matt Heafy blast his vocals in a newer re-release, is that they have released never before heard material from their early years. With that said, the Klown shall not waste time talking about the Ember to Inferno disc, the second disc was a bit of a surprise for the Klown. Aside from featuring some remastered songs that were first featured in The Crusade it had the previously unreleased “Lake of Fire.” At first, the Klown thought it was the same Curt Kirkwood cover of Nirvana fame, but no this was a great and powerful original track the way Trivium knows how to execute. “To Burn the Eye” was great and really resonated with the Ascendency’s album signature touches as well as the rest of the album. Despite everything, the Klown was expecting full blown demo style audio but was surprised by the sound quality of these tracks. Highly recommend this album especially if you’re a diehard Trivium fan who missed out on the original and first reissue of Ember and metalcore fans.

6 out of 6, Takes You Back Where it ALL began

TriviuT takes us back to where it all began with “Ab Initio”

Ugh Metal Presents: THE GRATE DEBATE ON THE OCEAN

The Ocean made waves at the Brick By Brick on Election Day. (L to R: Guitarist Robin Staps, vocalist Loïc Rossetti, bassist Mattias Hägerstrand, drummer Paul Seidel)

A note to our reader: On November 8, it was a crucial time in the United States. We went from worrying over what type of beer we wanted to being heavily concerned about an uncertain future. Not all was bleak that night, however, because it was a night of PROGress for us. As people were sitting in their homes collectively losing their shit watching our elections unravel, we were in our panic room known as Brick By Brick.

Though we weren’t immune to the madness outside of the Brick, we began debating important issues of our own like, what beer should we get? Does this look infected to you? Is the Carpathian Forest real!? Most importantly, with crazy times ahead of us, who will lead this site!? The Ugh Metal staff assembled and organized THE debate to end all debates to find our new leader, and found a worthy and stellar moderator. All of that made us Sleepless…

Chuggo Frump: UNDER THE EARTH! Like the mole men!

Jenny-Oh Flimpton: You leave the mole men alone! They are prosperous people and have contributed to the economy…

Moderator, The Earth: Whoa, whoa! What the fuk are you both on!? There are no mole men, I would know.

C: YOU’RE THE PUPPET!

J: Yeah! *High fives Frump*

The Earth: It is a wonder that anyone would elect either of you to run this site. But back to the important matter at hand, what did you think of the local band Sleepless Under The Earth? Mr. Frump, you go first.

C: Well I thought…

The Earth: AND NO INTERRUPTING!

C: *Frump glares* As I was saying…

J: *Giggles*

C:  As I was saying, it was a Prog night. As in through them I saw progress.

J: What does that even mean!?

The Earth: Mr. Frump, please clarify.

C: It was Oceanside’s own that made me see the light of things I am championing.

The Earth: Mr. Frump, what are you talking about?

C: I’m talking about clown’s rights!

J: He’s diverting again! You said no diverting!

C: THAT MOVIE SUCKED!

The Earth: Settle down you two! Mr. Frump, Divergent is the title of the movie and the book not diverting.

C: Tomatoe, tomato. Furthermore…

The Earth: Your time’s up! Ms. Flimpton, your turn.

J: Thank you, Earth. Well, I thought that much like this modest and young generation, they have great potential and can make a difference.

Sleepless Under The Earth are anything but a snooze fest.
(L to R: Guitarist Josh Walter, vocalist Ross Warren, drummer Chris Heinberger, bassist Hunter Weintre)

C: What does that even mean!? Are you saying they sucked?

J: What!? No! Leave it to Frump to misconstrue my words again!

C: If I were elected to moderate this site, I will…

The Earth: Mr Frump! Allow Ms. Flimpton to finish uninterrupted! Ms. Flimpton, please continue.

J: Oh. That was all I had to say but they were bitchin’. They can be San Diego’s very own melodic Lamb Of God. Ross Warren’s vocals are eerily similar to Randy Blythe’s, it’s like Lamb Of God decided to dabble in Prog.

The Earth: Thank you, Ms. Flimpton. Now for our next quest…

C: *Cough* Bullshit *Cough*

The Earth: Mr. Frump, are you okay?

C: Yes. I’m sorry my allergies are acting up, you know, it is bullshit season after all.

The Earth: Mr. Frump! I will not tolerate profanity in this debate! For that, Ms. Flimpton will go first on the following question. Freebies aside, what did you think about Orange County’s Sorizon?

J: I was impressed to say the least…

C: *Cough* Fuk you Earth *Cough*

J: Anyway! I enjoyed their sound a lot! Their songs took me in to an epic odyssey and I will be blasting them while I fight the Kraken… and ISIS of course.

Sorizon won the intimate crowd over with their charism AND freebies.
(L to R: Guitarist Danny Mann, vocalist Keith McIntosh, bassist Kevin Vickers, guitarist Tim Hall)

C:  I’ll be damned if you take over with “The Twisted Hand of Fate!”

J: Your propositions and your rants make me want to “Slumber into Death.”

C: Whatever, betch… this is just another response for the ones who don’t want to approach The Gorge!

The Earth: What the… Mr. Frump….!

J: You leave The Gorge out of this!

C: No, it is time we bring The Gorge in to this conversation!

The Earth: If you insist…

C: I DO!

The Earth: Very well… Ms. Flimpton you begin.

C: But…

The Earth: Ms. Flimpton, you begin!

J: Well…They… these bald men extraordinaire, came to us from St. Louis and… that is a milestone! Progressive, if you will.

The Earth: Okay… Ms. Flimpton, would you care to elaborate further?

J: Balds rights!

C: If I may?

The Earth: Please do… for the love of Gaia!

The Gorge offer a ballsier take on Prog and Flimpton will fight for their right to be bald!
L to R: Bassist Chris Turnbaugh, vocalist/guitarist Phil Ring, and guitarist Joe Bowers)

C: That album from the Dave Matthews Band…

The Earth: Really? We’re on a metal site and you want to talk about Dave Matthews?

J: What’s wrong with Dave Matthews? He has soul and that’s pretty metal!

The Earth: I will go on record and say that I hate you both!

C: Haha, Earth hates you! *points at Flimpton*

The Earth: That includes you too, Mr. Frump.

C: See… this is what I’m talking about. Clowns’ rights! Clowns are…

The Earth: A waste of existence! Could we please just discuss the band named The Gorge.

C: Fine…! Let’s do what you want to do! The Gorge, to me, sounds like if Between The Buried and Me grew a pair and ditched the keyboard! There… I said it! Someone had to!

J: I… actually agree! They did not bore me. Furthermore, it was a fun and bumpy ride. That is all I have to say.

The Earth: Are you serious? You still have some time to…

J: About The Gorge. Happy, now?

The Earth: … Let us speak about North.

C: Yes, the mystical lands of the Canádas saw an influx of…

The Earth: Mr. Frump, please stay on the subject.

Vocalist/bassist of North, Evan Leek, releases his battle cry.

C: I am, if you would let me finish! As I was saying, it was the moment where the Frump saw the miracle of a clown was winning the presidency! *grinning with tears of joy, clown makeup running down his face* with that victorious milestone, I saw Americans rushing to the North.

The Earth: *stern look*

J:  Rush is from Canada. Which happens to be in the North. They won a lot of awards too.

The Earth: Ms. Flimpton, we are on the subject of the Arizona band named North.

J: … Fine. They sound like an edgier, sludgier and ballsier version of Mastodon.

C: I kind of disagree but maybe it’s just my “Weight Of All Thoughts.”

The Earth: Mr. Frump, what you just said made no sense. Let us move on to The Ocean, while I…

C: Again… with this hippy talk!

J: If I win this debate, I promise to reward each Orca with three orphan seals to nurture them.

The Earth: Uh… are you serious?

C: Our public education system at its finest! Anyway, Dutchland’s …

The Earth:  You mean Deutschland?

J: Number one! That’s what I would be if I were to win this debate. But I have sailed many oceans but The Ocean is unlike any other I’ve seen.

The Ocean swallows San Diego whole on Election Day.
(L to R: Guitarist Robin Staps, vocalist Loïc Rossetti, bassist Mattias Hägerstrand

C: Agreed! For this one I happened to be “The Quiet Observer.” Especially when they announced that a clown was officially elected to the head office. Still dunno why The Ocean felt sympathy for us.

J: It was especially hard to look away when the lead singer, Loïc Rossetti, would crouch and slowly pace the stage like a predator with the instrumentals. Then, BAM! Rossetti would spring in to his spazz attack and lose his shit with the climactic part of the songs. Rossetti was also the David to Warren’s Goliath. Poor guy took quite a TUMBLE when the tiny Rossetti dove himself in to his arms.

C:  Is this what we are calling the moment?

J: What moment?

The Earth: *Sigh* Clearly you both lost your shit. Thank Gaia… I mean, unfortunately we’re out of time. Let’s have the closing statements, Ms. Flimpton, you go first.

J: The Ocean was full of surprises, much like the ocean. Just when you think it’s going to be a smooth ride, you’re whacked by a rogue wave of heavy riffs… and spazz attacks. Opeth would be proud!

The Earth: Thank you, Ms. Flimpton. Mr. Frump, your statement.

C: I would like to say that The Ocean and their company were a treat. All they proved that night was that no matter the circumstances, as artists and performers, integrity was key and the show simply must go on.

The Earth: Uh…wow! That was… good. And that concludes this debate. This is The Earth letting you know to keep moshing and make metal great again! The real winner here was me, for listening to this lunacy. Good night, everyone!

Vocalist of The Ocean, Loïc Rossetti, rises! Poseidon’s got nothing on him.

The Trials of November 4

Note from the Klown: Salutations to all. Halloween may have been last Monday, as of this writing but happy belated Halloween to you. For my Hispanic peeps, Feliz Dia de los Muertos y Dia de los Santos! Even if these things are late, it’s never too late to bring it up, after all release dates are now on Friday instead of a Tuesday. But most importantly, it all happened this week. But just ‘cause All Hallows Eve is done, it didn’t stop our genre from giving us treats without any tricks, so without further ado here are the Klown’s verdicts!

Hammerfall continue to show the world that they are Built To Last

The 23 year old veterans have released a 10th installment appropriately titled Built To Last. These kings from Gothenburg have had a career slightly younger than yours truly but, like the title of their latest album, they show no signs of slowing down. The theme of the album cries out for a revolution which is not necessarily inciting (but eerily appropriate) for our current political climate cries. The tracks “Hammer High” and “Defy and Dethrone” are great and inspiring songs, almost like a cry for the politically disillusioned. “The Scared Vow,” however, is a perfect song that conveys that epic theme Hammerfall is eponymously known for. For the softies as well as the ladies, “Twilight Princess” is just simply an impressive power ballad with vocalist Joacin Cans singing with a soothing, yet robust baritone voice.

5 out of 6, And they’ll keep going and going

Hammerfall continue to indestructible with “Built To Last”

 

Civil War Lead A Charge With Their 3^rd Calvary

The Swedish power metal band Civil War, comprised mostly of former Sabaton members, has soldiered on after four years and has released their third installment The Last Full Measure. Since the group’s released of their epic lyric video, “Road To Victory,” the band has generated steam and gained some anticipation for this current album. The band does an amazing and metal retelling of the historic civil war campaign Sherman’s March To The Sea with the track “Savannah,” serving as a footnote for that specific event. Although the band’s motif is mostly U.S. Civil War, the group takes us to the Wild West with their current power metal single, “Tombstone.” One last thing to note about this album, Civil War treated their fan base with two bonus tracks. No strings attached!

6 Out of 6, Metal Shall Rise Again!

Civil War rose and won with “The Last Full Measure”

 

Dark Tranquility Continues to Champion Gothenburg

And now… more from Sweden but of the death metal variety. The Gothenburg metal scene innovators are back with their 11^th installment Atoma. Although Dark Tranquility has sprouted many other great Swedish acts, lead guitarist Niklas Sundin and keyboardist Anders Jivarp, have successfully kept this innovator in the forefront. Right from the start, “Encircled” has you hooked enough to invest your ears on this album with their signature melodic brooding death metal with a bit of groove. “Atoma” and “Forward Momentum” remind you why they are one of the original leaders of the Gothenburg metal scene. It was a good album, especially if you’re itching for some Swedish melodic death metal.

5 out of 6, Definitely will leave you tranquil in the dark

Swedish melodic death metal legends trip us out with that cover but sedate us with the music from “Atoma”

 

Vader Reign In ‘The Empire’

The original eagles of Death Metal have returned with their 10th crown, appropriately titled The Empire. Right from the announcement of this current installment, the long anticipated album has definitely built up hype especially after Welcome to the Morbid Reich. Luckily these badass Poles eased the itch when they first released the EP Iron Times. The Klown could talk about this testosterone filled album for a while because there’s just too much to talk about. Hit singles aside, the album was beautifully done and it’s enough to ease the itch for Star Wars loving metal heads. The Klown’s overall favorite tracks of this album are “The Army-geddon,” “Feel My Pain” and their current single, “Parabellum.” But enough about me… get your ears to this album ASAP!

6 out of 6, No passports or Star Wars references required

Vader continue to establish their supreme leadership with “The Empire”

The Trials of October 28

A note from the Klown: By the time you trick and treats, it will most likely be one of the most wonderful times of the year, Hallo-f’n-ween. The time of year where diabeetus is not much of a concern and cosplayers take a back seat to frown upon the regular jerk offs dressing up in shitty costumes. But most importantly, the slutty costumes are in full swing no matter how cold the environment is. Pennywise, have mercy! Anyway… here are some treats with not many tricks and of the slithery variety.

Avenged Sevenfold Have Begun To Avenge Themselves

Despite their success, the band has gone through a roller coaster type of career. From frontman Matthew “M.Shadows” Sanders having vocal repairs through surgery and the untimely death of founding member and drummer James “The Rev” Sullivan. Despite all those bumps, Ax7 has soldiered on and have released their seventh installment, The Stage. The current single from the namesake album, “The Stage,” was a pretty good track to give the band a quick sound off for diehard fans. However, the Klown took a liking to the tracks “Sunny Disposition,” “Creating God” and “Simulation.” “Sunny Disposition” introduces different musical elements in to the mix, by blending the saxophone with thrash or a bit of speed with groove. “Creating God,” was melodic and “typical” Ax7 but with a bit of grunge. “Simulation,” didn’t drift away from its theme and is a power ballad type of track with crossover popping up almost immediately as M. Shadows silences. This was definitely a treat for the Klown’s ears and to anyone who listens to this album. This Klown dares to say this album equates with their infamous breakthrough, City of Evil.

6 out of 6 The Stage was set and they broke a leg

Avenged Sevenfold set their grandest ‘Stage’ yet

 

Dope Gets Their Hands Dirty With Their Sixth Album

So… it’s getting close to eight years since their last album, No Regrets. Let’s flash forward to October 28 of this year. The Chicagoan quartet have resuscitated with their current installment, Blood Money Part 1. The Klown will say this; it is a good overall comeback and its rather refreshing to be hearing them again. Good ol’ fashioned industrial! “Blood Money” is not only a great track but a good song to kick off the band’s long absence. Dope incorporated a dark ballad, appropriately titled after an antidepressant drug known as “Lexipro,” ‘cause love can be a pain. Unlike the late and great Prince, “1999” is darker and… personal but in a humorous way. It is metal and very industrial. It was definitely a great track. The Klown definitely recommends this album to Dopeheads, industrial enthusiasts and anyone who listens to Wednesday 13 and Marylin Manson… old school Manson.

5 out of 6 Dunno about your blood, definitely worth the money!

Dope is back and BLOODIER

 

Crowbar Has Returned With An 11^th Slithery Treat

Legendary sludge metal juggernauts, Crowbar have slithered out with The Serpent Only Lies. They’ve returned speedier rather than sludgier. Serpent features the uber heavy, “I Am The Storm.” The melodic sludge sound the band’s known for, however, is heavily featured on the track “Surviving the Abyss” and “The Serpent Only Lies.” If you are in the mood for a ballad than look no further than “Songs of the Dune” for that quick fix. This was a pretty good surprise after nearly three years apart from the last album. Serpent features a different side of the band without abandoning the sound they champion.

4 out of 6, This album will not lie to you

These sludge metal juggernauts are back with ‘The Serpent Only Lies’

 

Serpentine Dominion Establishes Its Dominance

Ever wondered what would happen if you married George “Corpsegrinder” Fisher’s vocals with Killswitch Engaged? Well… even if you didn’t, here it is. The long awaited debut of Adam Dutkiewicz and Corpsegrinder is finally out in the self titled debut album, Serpentine Dominion. This album also features drummer Shannon Lucas from All That Remains and the satanic band The Black Dahlia Murder. This album is a beautiful and an unexpected union. If you want to reminisce on “new” Cannibal Corpse then that track “Divide, Conquer, Burn And Destroy” will be your thing.  Otherwise expect this unholy matrimony to surprise you with KSE’s riffs and backup vocalization, mixed with some BDM and ATR elements capped off with Fisher’s legendary vocals.

6 out of 6, Not even Conan got the better of these serpents

This super group will MELT your faces off!!!!!!!!!!!!

 

Testament’s New Album Will Make You Want To Join Their ‘Brotherhood’

The long awaited release from the underrated, Bay Area thrash gods is finally out! They got us joining a brotherhood ruled by a scaly Longfellow. The hit single “Brotherhood of the Snake” was released on September 2 and even had a game available to play through their record label Nuclear Blast. A couple of weeks back, Testament released their second, and current, single “Stronghold.” Both tracks are f’n awesome! The band, however, really take it a bit old school with “The Pale King” who recently debuted the music video for the track. The track takes you will take you back to the days when thrash REIGNED. This album was pure awesomeness and adrenaline. Through and through, guitarist Nick Skolnick shows no sign of slowing down. The same can be said about the rest of the band, as a whole.

6 out of 6, Welcome to the brotherhood of thrash!

Have you joined “The Brotherhood of the Snake” yet?!! We sure did!